I had all the opportunities in the world to re-create myself from scratch and that, I found, was a beautiful thing. She has infected his life, not caring what he wants. Such heady influences can topple a novel. ( Log Out /  Kim paints striking images of C and Judith stranded in the snow, K blistering down the highway at 180 km/h in the dark, and Mimi feverishly swinging her paint-splattered hair across a white canvas. He's a somewhat twisted angel of mercy, seeking out candidates and nudging them towards the deed, convincing them that suicide is the way to go. The subjects cannot have an obligation to kill themselves (or a “fellow,” which I think means a friend or relative). Just who is Tony, and what exactly is his Reading List? His style is reminiscent of Kafka's and also relies on images of paintings (...) and film (...). Several decades ago, a women by the name of Nancy Cruzan was thrown from … Reality is often pathetic.” ― Young-ha Kim, I … This visual sensation is enhanced by the narrator’s frequent allusions to art. In short, this is a story of a society where death seems an attractive option. Much of our time is spent with C, a video artist, a man cut off from the outside world by his cameras and screens (evoking the brother-in-law in Han Kang’s The Vegetarian). The Right to Destroy Myself from Life is But An ... Been a fan of Yagya for years and have loved going through his back catalog and blissing out to the downtempo/ambient dub techno. I Have the Right to Destroy Myself is a novella set in mid-90s Seoul, a story in which a shadowy narrator talks about a group of young people going about their lives in the Korean capital. If you think it is right to kill :- •Your precious life,you are getting once,then kill yourself. Kim Young-ha, general information | review summaries | our review | links | about the author. Trying to meet all your book preview and review needs. Young-ha Kim has published three novels and numerous short stories. I Have the Right to Destroy Myself. The younger brother, K, is very different. He’s the driver of one of Seoul’s notorious ‘bullet taxis’, a man longing for speed but destined never to reach the velocity he desires. Get this from a library! In other words, it's slow, meditative, doesn't bother tying up every loose end, and sometimes leaves the reader working hard to create meaning. The protagonist/narrator of I Have the Right to Destroy Myself is a suicide designer. She’s the kind of mold that wouldn’t have appeared if he had lived austerely, the kind that breeds only in the dark, neglected corners of a building. Can the case be made that the woman from Hong Kong and Mimi are the same woman? All three of the women struggle with life, and all feel the urge to walk away from it all. Read "I Have the Right to Destroy Myself" by Young-ha Kim available from Rakuten Kobo. Maybe novella is a better term, since the work in its entirety takes up only about one-hundred and twenty pages. I HAVE THE RIGHT TO DESTROY MYSELF. K is unable to understand his brother, or the relationship he has with Judith, but he’s just as frustrated by his own limitations. Dreamlike and cinematic, I Have the Right to Destroy Myself is a brilliant demonstration of why Young-ha Kim is Korea s leading young literary master. It’s just a shame that nobody thought to say that to the characters…. The book follows a rather omniscient narrator though a dream-like Seoul as he navigates through the tangled lives of those who don't wish to live anymore, and those that surround them. The book is also a story of two brothers, Judith’s lovers. Recently, in my review of Your Republic is Calling You, I talked about how Kim Young-ha’s work, with some exceptions, hadn’t really hit the spot for me (and how his sometime collaborator, translator Chi-Young Kim, had so far impressed me even less…). Change ), You are commenting using your Twitter account. Young-ha Kim is a young master, the leading literary voice of his generation. Young-ha Kim is a young master, the leading literary voice of his generation. After the relative disappointments of Your Republic is Calling You and Black Flower, I Have the Right to Destroy Myself comes as a relief, a story I enjoyed from the very start. I mean, just look at yourself in the mirror. p.8 (Harcourt Books, 2007). The book follows a rather omniscient narrator though a dream-like Seoul as he navigates through the tangled lives of those who don't wish to live anymore, and those that surround them. I Have the Right to Destroy Myself Résumé A “mesmerizing” novel of a love triangle and a mysterious disappearance in South Korea (Booklist). Harcourt, 119 pp, $15.95, softcover. Naturally withdrawn, he has an odd relationship with Judith, one unlikely to be based on love or affection: “She’s like mildew that has invaded his life. Judith’s life is far from happy, and her reason for meeting the narrator is to cure her problems – once and for all. As Judith bounces between two brothers, C and K, the writer portrays a woman who seems able to cope with anything life can throw at her, provided she has enough Chupa-Chups to hand. Young-ha Kim has published three novels and numerous short stories. I Have the Right to Destroy Myself ("I Have the Right to Destroy Myself" also resembles the disaffected, empty lives that are common in contemporary Japanese fiction, but with a lacquer of old fashioned fine art.) Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Because it’s 2016, and in Canada, the suicidally depressed still don’t have the right to die. There comes a time in your life when you have … The three images he describes (Klimt’s Judith and Holofernes, Delacroix’s The Death of Sardanapalus and David’s The Death of Marat) are all evocative and highly relevant to the story. "I Have the Right to Destroy Myself" is also a work of resistance, but rather an existential one. Create a free website or blog at WordPress.com. Similarly the illustrative quotes chosen here are merely those the complete review subjectively believes represent the tenor and judgment of the review as a whole. -, "Young-Ha Kim's novel is art built upon art. The subjects allow the sovereign to kill them. The story features multiple narrators. A good story, cleverly told, and one that will prove very entertaining to a casual reader as well as a critical one. 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